To match the flexibility and ease of the 32C EQ, Harrison delved into our records to see what settings would be most appropriate for a general purpose channel compressor. Harrison has a unique history with digitally-controlled-analog consoles, allowing us to compile the settings that are most often used on our large-format consoles. The story of the 32C Channel compressor starts in 2009 when Harrison developed the Mixbus workstation. When combined with the 32C Filter section, a huge range of tonal possibilities are available with just a few knob turns.Ī channelstrip plugin isn't complete without a great compressor. Every resistor, capacitor, and transistor is included in the model. The 32C Channel Plugin provides a complex emulation of the original Harrison 32C EQ. The effort put into voicing this eq was unmatched at the time, and its signature remains on some of the biggest records ever made. If you needed more surgical work, however, you could switch the high and low bands to operate as additional proportional-Q 'bell' filters. The high and low bands are a shelving design with a huge gain range, allowing you to add dramatic punch and shimmer to any source. The middle 2 bands use a proportional-Q design: small gain changes provide for gentle classical-style tone controls but cut a little harder and the filters become sharper, allowing you to hunt down and then notch-out troublesome frequences. Predating the modern parametric EQ, the 32Series equalizer had to serve many purposes and remain easy to use. For nearly a decade, the 32Series remained the go-to console for new studio construction around the world. In 1975, Dave Harrison launched the 32Series console.
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